A Visit to Uncle Ho, Part II

In addition to the mausoleum, my group also toured the Ho Chi Minh museum, which was not what I expected (par for the course in this country). The entryway had a grand staircase that culminated with a giant statue of the man himself. Upstairs, the bulk of the museum seemed to focus on the times of Ho Chi Minh rather than the life. His years abroad, for example, were a rather confusing hodgepodge of images of the Western world from the time period of about 1880 to 1930, with a few images of the likes of Voltaire, hot air balloons and the US Declaration of Independence. Ho himself really didn't make an appearance, but this visual cacophony was meant to succinctly describe about thirty years of the leader's life.

Symbolism seemed to be the key. The American War (aka the Vietnam War to those who remain stateside) was represented by captured American equipment and old North Vietnamese weaponry. Ho's development of Communist ideology was represented by a sort of recreation of the cave he hid in during World War II. The struggle against fascism, which really didn't factor that largely into my reading of Ho's life, was represented with a partial 3-D depiction of Picasso's "Guernica." The museum seemed more dedicating to describing the struggle of the Vietnamese people according to the Party Line than to describing the life of Ho Chi Minh. In my mind, this depiction made the museum all the more fascinating a place to visit, especially as the vestiges of Communism become less and less prevalent in the post-Soviet world.